Friday, June 24, 2011

LOVE STREET








"She lives on Love Street
Lingers long on Love Street
She has a house and garden
I would like to see what happens

She has robes and she has monkeys
Lazy diamond studded flunkies
She has wisdom and knows what to do
She has me and she has you

She has wisdom and knows what to do
She has me and she has you

I see you live on Love Street
There's this store where the creatures meet
I wonder what they do in there
Summer Sunday and a year
I guess I like it fine, so far

She lives on Love Street
Lingers long on Love Street
She has a house and garden
I would like to see what happens

La, la, la, la, la, la, la
La, la, la, la, la, la, la
La, la, la, la, la, la, la
La, la, la, la, la, la, la
La, la, la, la, la, la, la..." ~ THE DOORS





...LOVE STREET is a 1968 song by The Doors which appears on their album Waiting For The Sun. The song is about the street in Laurel Canyon, California, where Jim Morrison lived with his " La belle amour" Pamela Courson. Their address was 8021 Rothdell Trail. Morrison and Courson referred to Rothdell Trail as "Love Street" because they would sit on the balcony and watch countless hippies walk by. Morrison also wrote the "Waiting For The Sun" album here, and most of "Soft Parade", along with countless poems. Love Street was originally a poem that Jim wrote for Pam about their time in the house on Love Street. Robby Krieger suggested it be a song, and put music to it. The poem turned into the gem of a song we all know as Love Street.

Released as the B-side of "Hello, I Love You", "Love Street" received a small amount of airplay on the radio.







***The Groovy Paisley Pix of Pam & Jim Morrison & Friends, were taken by Raeanne Rubenstein at their Boutique THEMIS. Jim posed with Pam for the store's ads. Pamela traveled to Europe frequently to stock her store. The store was hardly ever open and kept odd hours...










WILD CHILD #13 ~ Primal Scream in a Bottle!




Well, SHE'S out on the streets, like the WILD Summer of PATCHOULI LOVE CHiLD that she is, .... #13, Yea, She's My Girl...

(SHE'S) Dirty Sweet with sensual lactonic tendencies... Layered with rich, Dark Aged Patchouli that smolders with a dash of Saffron & Incense when met with an undercurrent of playful fruity notes as Black Currant, Juicy Peach & hints of Coconut waft over a layer of creamy White Flowers on a cloud of Milk & Honey... Wild Child is a succulent Summer Breeze of a Scent that gets all cozy in the dry down as it moves into Oriental Gourmand territory... This scent was created for The Summer of Patchouli Love 2011 event hosted by Monica Miller of Perfume Pharmer. Come on "FEEL" the Love!



It was my intention to create a"Soliflore/Solifleur" style Patchouli Fragrance that focused on the warm, sunny (Summer) side of the Patchouli spectrum...


FRAGRANCE CATEGORY: Oriental Gourmand

KEY NOTES: Aged Dark Patchouli, Saffron, Honey, Milk, Peach, Tuberose, Black Currant, Dark Amber, Ambergris, Sandalwood, Vanilla

Top Notes: Saffron, Cabreuva, Blood Cedarwood, Peach Tree Leaf, Clementine, Yellow Mandarin & Wild Orange

Middle Notes:Honey, Milk Accord, Black Currant Bud, Tuberose & Peach Accord

Base Notes: Aged Dark Patchouli, Sandalwood, Ambergris, Dark Amber, Vetiver & Vanilla




" Well you're Dirty and Sweet, clad in black
Don't look back and I love you
You're dirty and sweet, oh yeah
Well you're slim and you're weak
You've got the teeth of a hydra upon you
You're dirty sweet and you're my girl.

Get it on, bang the gong , get it on
Get it on, bang the gong, get it on...

You're built like a car, you've got a hub cap diamond star halo
You're built like a car, oh yeah
You're an untamed youth that's the truth with your cloak full of eagles
You're dirty sweet and you're my girl...

You're windy and wild, you've got the blues in your shoes and your
stockings...
You're windy and wild, oh yeah
You're built like a car, you've got a hub cap diamond star halo
You're dirty sweet and you're my girl.

You're dirty and sweet, clad in black, don't look back
And I love you
You're dirty and sweet, oh yeah
You dance when you walk so let's dance, take a chance, understand me
You're dirty sweet and you're my girl..." ~T REX (Music to PLAP to!)





WILD CHILD #13 is available for purchase at OPUS OILS

Tuesday, June 21, 2011

EXCLUSIVE Interview With Kedra Hart by Felicia Hazzard




EXCLUSIVE INTERVIEW WITH KEDRA HART THE GENIUS BEHIND **PLAP #13** & OPUS OILS PERFUMES by Felicia Hazzard

Re-post of original interview that appeared on PERFUME PHARMER


Kedra Hart, perfumer and owner of OPUS OILS JITTERBUG PERFUME PARLOUR in Hollywood, California is a perfumer with a unique style but with a simple approach to perfumery that has made her a household name around the globe.

The OPUS OILS collection include an eclectic of fragrances and themes to suit everyone such as The Absinthe Collection, The Afraid of the Dark Collection, Burlesque Collection, Dirty Sexy Wilde, The Divine Collection, The Fetish Collection, Island Girl Collection, Jitterbug, Les Bohemes, Roller Girl and introducing as of July 2011, Wild Child#13 Collection.

My discussion with Ms. Hart is about THE DIVINE COLLECTION. This is due to its historical and mythical aromas around deities that surround beliefs from around the world and for the summer Scent Event, SUMMER OF PATCHOULI LOVE 2011 where the main theme is peace-love and “patchouli “scent.


THE INTERVIEW
:

Kedra, I think THE DIVINE COLLECTION is just wonderful and it is 100% ALL NATURAL. Why is it important to have THE DIVINE COLLECTION an all natural perfume?



It felt like the best choice for the subject matter… With this Perfume Collection I wanted to tap into the concept of “Magical Perfumery,” the practice of using the energy in Aromatic essences for the purpose of stimulating and affecting one’s conscious states. While Aroma Chemicals may be pleasing to our noses, there is no power in them whatsoever, “energetically” speaking. Natural Aromatics have often been referred to as the “SOUL” of the plant, and these concentrated essences are capable of having a considerable effect on our physical and mental bodies.

Kedra, what is it that you like best about THE DIVINE COLLECTION?

While I was working on this collection I used lots of rare and unusual essences to create the scents. Several of them were a bit challenging (Seaweed Absolute, Choya Nakh) and so it was especially rewarding to be able to find a harmonious balance within these blends.

ISIS perfume is a representation of the GODDESS ISIS. How did you determine what notes to use to describe “mystical enchanting blend”?



For each perfume in the Divine Collection I incorporated notes that were somehow linked to the Deity that was the theme of the scent… The Blue Lotus flower is considered sacred to Isis, and Frankincense & Myrrh are two of the most ancient aromatics in existence, and they were used heavily in Egypt for Religious & ceremonial practices to produce a heightened awareness of the spiritual realms.

Kedra for PAN perfume, how did you come up with the name for it?



The Goat God Pan has long been one of my all time favorite God archetypes… What’s not to love about a musky, earthy Goat-Man/God who “rocks” his Nymphs with his pipes, whilst celebrating nature by “stinking up” the place?… Of course his association with the world of fragrance was cemented in Tom Robbins’ “Jitterbug Perfume,” a treasure of a novel that blew my mind wide open when I was a youth, and continues to blow my mind every time I visit it again… I always felt especially kindred to this book as “KUDRA” is only one letter off from my name, after all…



PAN has a note of PATCHOULI and I know the ‘Summer of Love PATCHOULI 2011′ Scent Event created by Perfume Pharmer’s Monica Miller favors PAN perfume. Kedra, what does it mean to be apart of this unique event dedicated to PATCHOULI?



Participating in Monica’s Summer of Patchouli Love 2011 Event has been an absolute blast!!!… I am really enjoying the community spirit that it is inspiring, and not to mention some very DEEP experiences, as far as Scent Memories and all the deep dark secrets that Patchouli has unearthed for me personally…

Kedra, I love the notes you chose in Venus! It is an array of rich notes with highlights of floral. Kedra, what did you want to capture in this fragrance that gives a unique and edgy scent?



What I wanted to capture in this scent was the “Birth from the Sea,” aspect of the Venus Mythology… This led me to include several unusual Natural Marine-type notes such as Seaweed Absolute, Choya Nakh (burned crushed Seashells), and Beach Found Ambergris. I chose to create a heart of floral notes with a chorus line of Rose, Jasmine, & Ylang Ylang (the notes most traditionally associated with Venus), in support of the “Leading Lady” Pink Lotus, an aquatic perennial.

I have noticed more and more creations of “green” fragrances on the market. Eros has the right balance of notes with a citrus flavor. How important is it to have a “green” fragrance in a perfume collection?

Thank you for the compliment! I am so very pleased to hear this :~)…

Yes, I definitely know what you mean about the “GREEN” Trend… And it is most definitely one of “THE” most important Categories of Fragrance to have in a Perfume Collection at the moment. I first noticed this trend stirring last February 2010, when I was working with The Four Seasons in Beverly Hills on a Valentines Day Custom Blend Perfume Event. It was sort of a phenomenon actually – every single client that I worked with (from the Tourists, to the Producer & His Wife) requested a “Green Scent.” Some of them wanted a “Gourmand Green,” some wanted an ‘Earthy Green,” and some wanted “A Green Green,” but it was across the board “GREEN” with a capitol G, literally EVERY time!

There was a really special moment at Twilight on Valentine’s Day/Eve (I was totally saturated, covered in GREEN Bases with Orange Blossom Hearts, at this point) when the husband of one of my “Couples” was out on the wrap-a-round balcony (on the 16th Floor) and he called to his wife and I to…, “Come out her right now!” because there was a “Hummingbird going crazy!!!”… When we went out to join him, the Hummingbird flew up to me at eye level moving in to my Personal Space and started “buzzing” around me, circling like a Dervish as he proceeded to “Check Me Out,” at close range… Let’s just say, it was clearly very erotic on His part, and I’m quite certain that he was responding to my green scent… So, I would have to say that even as far as “Nature” is concerned, “GREEN” is very alive as a premiere choice on our Aromatic Palates right now.

Thank you Kedra so much. I truly appreciate getting to know more about THE DIVINE COLLECTION.

Thank You, Felicia! I really enjoyed your very thoughtful and interesting questions!

Interview by Felicia Hazzard, Fragrance Belles-Lettres

Monday, May 23, 2011

Patchouli Thoughts and Meanderings...


PEACE*LOVE*AND*PATCHOULI!!!!

My "Patchouli PROJECT," is taking on a life of it's own! Several "Lives," in fact, as I move through the many directional possibilities... There is the "GREEN CHILD" (Galbanum & Peach Tree Leaf Absolute), and the "LICORICE CHILD" (Licorice Absolute & Star Anise)...

But really, my TRUE "Contenders" are:

A) LOVE CHILD (Patchouli Base - Heavy on the Vintage Dark Patchouli)
B) FLOWER CHILD (Patchouli Floral Tapestry ~ Heavy on the Incense & the Indian Florals)
C) HONEY CHILD (Heavy on the HONEY!... with LACTONIC leanings...)

Hmmm.... What's a girl to do?

So many possibilities - so little time ...!


Tuesday, May 10, 2011

JOHN LENNON'S PRIMAL PATCHOULI SCREAM



LOVE ~ By John Lennon

Love is real, real is love
Love is feeling, feeling love
Love is wanting to be loved

Love is touch, touch is love
Love is reaching, reaching love
Love is asking to be loved

Love is you
You and me
Love is knowing
We can be

Love is free, free is love
Love is living, living love
Love is needing to be loved


(Original post in my SCENTS OF IMAGINATION BLOG)

As part of Perfume Pharmers SUMMER OF PATCHOULI LOVE 2011 Event, all the participating Perfumer's have been telling their personal "Patchouli Stories." Here's mine as told on PERFUME PHARMER ~




PATCHOULI: THE FEELING ESSENCE

If I had to choose only one word to describe PATCHOULI, it would be "Primal"... To me, it is the Essence of FEELING. I reach for it when I need a little bit of grounding or to comfort and sooth. One whiff and I feel like I just got a big "hug" from the Universe!

The scent of PATCHOULI has intertwined with our human experience throughout the ages, so I’m sure we all know the story by now of how Patchouli traveled the long and arduous road from the East to the West and everywhere in between...

It is certainly a love/hate thing for everyone that I have ever exchanged with on the subject... Not to mention an ultra fun Parlour Game wherein you gather a group and have everybody tell their "Personal Patchouli Story!" Be sure, Everybody has one...

Mine goes back to 1970 when I was around 4 years old. It was a hot Summer day in LA, and as fate would have it, my young bohemian self came to be at the Janov Institute for Primal Scream Therapy.

I remember it like it was a dream... I came into the waiting room and a very emotional John Lennon was there, winding down from a Primal "Session" with my father who was his therapist. To me he was all hair and looked like Jesus in his long white robe. Oh, and Smelly! It was a strangely familiar "Earthy" aroma that emanated from him, and I remember that this manly, almost animalic scent was so strong that it filled the entire room space!



When he saw me he beckoned me over to say hello... I imagine now, that from his spent primal self he must have felt a connection to something in my innocent child-self-mind-space that drew his attention to my corner at that particular moment... And so, there he was calling to me, wanting to engulf me in a warmly abundant hug, and as you can imagine the last thing I wanted was a hug from a smelly (you guessed it - PATCHOULI) Primal Screamer!...

Not one to be deterred, this industrious Patchouli Loving Jesus Christ Superstar proceeded to lure me over to his corner with a handful of Chiclets!... Yes, that's right, I have always been a sucker for the simple pleasures and those CHICKLETS did the trick! Yep, those pretty little candy gems were even more fun than I first imagined they would be, as I learned about gum and how to "chew" these tiny colorful treats instead of swallowing them whole... It was like a magic trick! And for a short while, this became a tradition with us - the "Jesus Man" would greet me with Chiclets, and I would give him big a hug... It turned out to be one of the few perfectly reciprocal relationships in my life ~ I was OK with the "Patchouli Hugs," as long as he didn't forget the Chiclets!...





TASTY TID-BIT #1: While working on writing this piece, I stumbled onto this book excerpt from the book "Daddy Come Home," by Pauline Lennon who married John's father Freddie in 1969. Here she described one of John's Primal Therapy sessions:

..."In the early summer of 1970 John Lennon was undergoing intensive treatment at the Janov Institute for Primal Therapy in Los Angeles. It was a hot day in June, but for some weeks now John had been isolated from the outside world, spending most of his time exclusively with his therapist, a highly trained, sympathetic man who had himself undergone primal therapy and with whom John had built up a high level of trust.

The session was being conducted in a small, sound-proof room without windows, the walls of which were padded on two sides to allow the patient readily to express the powerful emotions which would inevitably demand release. Audio and video recorders were in operation to provide a record of the session from which both patient and therapist could later gain useful insights.

But John was only minimally aware of his surroundings at the Institute. As he lay flat on his back on the floor, as was customary during primal sessions, his consciousness had returned to a day in June 1946, a day which had been so painful that he had attempted to blot it from his memory . But now, at the gentle insistence of the therapist, he began to recall every detail of the Saturday afternoon in Blackpool when, at the age of five and a half, he had been asked to choose between his parents but had finally ended up by losing both of them.

Slowly he began to tune into the atmosphere of the Hall's house in Ivy Avenue where he had been staying for some weeks with his father awaiting emigration to New Zealand. It was here that Julia had unexpectedly appeared on that afternoon to ask that John be returned to her.

The pungent odour of Freddie's Woodbine cigarettes suddenly filled his nostrils -he was once again sitting on his father's knee in the modestly furnished front room and his beautiful red-haired mother was standing opposite him, smiling at him with that irresistible smile of hers which always melted his heart. As he became aware of the haunting perfume she always wore, he recalled how much he loved her. But suddenly his father's voice interrupted the lovely warm feeling he was experiencing and the words he heard him speaking seemed strange and frightening.

'And what is your Daddy saying to you, John?' urged the therapist, noting John's distress but realizing the need to carry on. John's reply was barely audible. 'He's saying "Mummy's going away and she won't be coming back again. Do you want to go with her or stay with me and go to New Zealand?".' He spoke these words in a whispered voice, drawing up his knees and clenching his fists with anxiety . 'I'm staying with my Daddy, I don't want to leave my Daddy,' John continued, but then he came to an abrupt halt and his features contorted as if he was now beset by some new unbearable fear.

'My Mummy's walking away down the road,' he recalled, speaking in increasingly shorter breaths. 'I'm running after her, I've reached her and I'm holding her hand. Daddy's still standing in the doorway and I'm shouting to him to join us. "Come on Daddy, come on Daddy ," I'm shouting, but he won't come.'

The atmosphere in the session room reflected an electrifying degree of tension, and it was clear that John was experiencing a deep level of pain.
'Tell your father what you need of him,' instructed the therapist, encouraging John to follow through his pain and to discharge the strong emotions which were now nearing the surface.

John found it almost impossible to give voice to the words he wanted to say, but they eventually came out in a choked sob. 'Daddy, I want you to come and join me and Mummy. I don't want you to leave me.' As he spoke it was as if he had suddenly released a floodgate of sorrow, and for the first time in many years his tears began to flow freely. But there was still more pain to be unleashed and it was the role of the therapist to push John a little further until he reached the core of his anguish.

'Your Daddy can't hear you, John,' he pressed him. 'Tell your Daddy what you need of him.'
'I need you to come after me. I need you to hold me, Daddy,' pleaded John, his voice now raised to screaming pitch as all the hurt and rage of nearly twenty-five years came pouring out. He was now on his knees, pounding the wall as he screamed the words 'Daddy, Daddy' over and over again. And as he punched away the pain, his feeling of anguish was compounded by a new and totally overwhelming terror.

His consciousness now shifted to the day he fell into a deep gully of sand on Blackpool beach, from which he was unable to free himself until his father found him. He felt himself to be surrounded by dark walls on all four sides and he was gripped by a sensation of blind panic as the sand appeared to be closing over him, shutting out the light of the sky.

'Daddy, Daddy, Daddy,' he screamed, his whole body now shaking with fear. But there was no way that John could make his Daddy hear him, and once again he felt isolated and deserted. He was overcome by a sense of dread that he would never see his father again. It seemed that the trauma of the beach incident and the ordeal of his parents' parting a few days later had become inextricably intertwined in John's subconscious, resulting in an emotional burden which had remained with him since childhood but which had been too terrible for him ever to recall.

But now, as John curled himself into the foetal position, the therapist knew that the worst of the tension had been released, and at John's request he enacted the role of his father and bent down to stroke his head gently."





TASTY TID-BIT #2: John Lennon's debut solo album after the break up of the Beatles was "John Lennon/Plastic Ono Band" (Released Dec. 11 1970.) It was clearly a new direction for him musically, and he certainly used this album to exorcise some of the inner demons that he encountered in Primal Therapy,...

Tracks

Mother
Hold On
I Found Out
Working Class Hero
Isolation
Remember
Love
Well Well Well
Look At Me
God
My Mummy's Dead


**DISCLAIMER: ALL PHOTOS IN THIS ARTICLE ARE USED SOLELY FOR ENTERTAINMENT PURPOSES. IF THERE IS A COPY WRITE ISSUE WITH AN IMAGE AND YOU DO NOT WANT IT DISPLAYED ON THIS SITE, FEEL FREE TO EMAIL ME.

Monday, May 9, 2011

PATCHOULI REVOLUTION





Monica Skye Miller of PERFUME PHARMER has started a Patchouli Revolution! That's right Kids - THE PATCHOULI REVOLUTION is on!!!

Armed with her ultra fabulous "Patch Test Bunnies" (Glamorous Human Test Subjects including Jodie Foster,Patti Austin,Brother Bru Bru (Bob Dylan's Mr. Tambourine Man), Mary J. Blige, Simone,Kim Novak,even our dear Tiger Powers plus many more, who have volunteered their noses for the sake of science and making the world a better smelling, more PATCHOULI Loving place,)and 13 Artisan Perfumers(including your truly,) Monica is on a mission to redefine Patchouli for the masses...



Rich & exotic, with layer upon luscious layer, PATCHOULI is like fine wine for your nose! The fact that each year & growing location produces a batch that is slightly unique unto itself, and also that it responds especially well the the Perfumers process of "Aging," makes it one of the most collect able aromatic essences around... So get ready for some PEACE, LOVE & PATCHOULI!!!(PLAP!)



FYI ~ PATCHOULI (Pogostemon Cablin) is a species from the genus Pogostemon and a bushy herb of the mint family, with erect stems, reaching two or three feet (about 0.75 metre) in height and bearing small, pale pink-white flowers. The plant is native to tropical regions of Asia, and is now extensively cultivated in China, Indonesia, India, Malaysia, Mauritius, the Philippines, Thailand, and Vietnam, as well as West Africa.



".... You say you want a Revolution, well you know, we'd all LOVE to change the world....!" ~ The Beatles


PATCHOULI ~ BREATH DEEP



Rediscovering PATCHOULI is like finding a long lost LOVE.
BREATHE DEEP and FEEL complete relief...